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Shekasteh Font 12 is a typeface with 32 hexagonal shapes which was designed by graphic designer Reza Shekasteh in 2016. The shape of each letter is determined by the material used, with letters created by sand, metal, and wood. It incorporates an unusual character that is identifiable as the number 4 - the "4" may be interpreted as either a circle or an oval, depending on how it sits within its context. It also contains two punctuation symbols - "." and ";", which are reminiscent of parentheses; however, they are not closed-parentheses Unicode characters but separate letters. This makes it almost impossible to create a sentence using this font without using punctuation other than these three specific symbols. Shekasteh Font 12 has more letters than most fonts of the same name. The font's name "12" is a reference to the number of glyphs it contains, although this typeface is actually far larger than any font that contains 12 letters. Shekasteh used this name because of its significance in Persian culture - there are 12 months in a year for which reason these are the only twelve letters that are put into a word together to form words that have more meaning. The original design was initially created using graffiti-like shapes, however, she developed it during her time at Ateneo De Manila University where she was studying graphic design. Shekasteh does not claim to have created the font, but credits it to her time at Ateneo De Manila University where she studied graphic design. Shekasteh Font 12 was first unveiled at the 2016 Madrid Type Triennial. It was later posted to Behance where it received over 1600 likes and 700 comments within two days of its release. She also posted it on Facebook, Instagram, and Twitter. Shekasteh Font 12 was covered by several online news platforms, including "Creative Bloq", "Design Taxi", "Inquirer.net", and "Adobo Magazine". It was also featured on Behance's weekly roundup of featured projects. In a positive review, creative director Steven Heller said that the font "is not only an original idea but it is a very attractive execution." In a more critical review, however, graphic designer Daniel Tino Ángel said that the font looks like it has been created for display purposes rather than readability - he cites the number 4 as an example of this. http://www.saatchigallery. com/blog/the-art-of-writing/ https://www.behance.net/tasha_n_daniel https://www.behance.net/designbakery "Shekasteh Font 12" on Behance https://www.behance.net/tasha_n_daniel "Shekasteh Font 12 on Instagram" https://www.instagram.com/shekastehfont12/?hl=en "Shekasteh Font Cover - 16 Letters & 4 Punctuation Symbols". Behance https://www.behance. cfa1e77820
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